2021

"Postcolonial Retrofuturism: Alessandro Ceresoli’s Linea Tagliero Prototypes." College Art Association (CAA) Conference, New York, Feb. 10–13 (forthcoming).

2020

“Porta d’Europa: Monuments, Interventions, and Migration on Lampedusa.” “Italian Borderlands: Restrictions, Breaches, Encounters” Conference, John D. Calandra Italian American Institute, Queens College, City University of New York, Apr. 24–25 (Paper accepted. Conference canceled due to Coronavirus).

“Ghosts for the Present: Interventionist Practices and Postcoloniality in Contemporary Italian Art.” 108^th College Art Association (CAA) Conference, Chicago, Feb. 12–15.

2019

“Wu Ming’s Postcoloniality: Collectivism and Countercultural Aesthetics for Contemporary Italy.” Winthrop-King Institute International Conference, “Does ‘la lutte continue?’ The Global Afterlives of May ’68,” Florida State University, Tallahassee, Florida, Mar. 28–30.

“Presenze: Italian Avant-Gardism and Art Discourse in Late 1950s Turin.” The American Association for Italian Studies (AAIS) Conference, Wake Forest University, Winston Salem, North Carolina, Mar. 14–16.

“Porta d’Europa: Art and Activism in Italy in the Age of the European Migration Crisis.” Winthrop-King Institute Conference, “European Migrations: Infrastructures of Mobility, Confinement, and Hospitality in the E.U,” Florida State University, Tallahassee, Florida, Feb. 22.

2018

“Minor Productions: The Work of Michelangelo Pistoletto, 1965–1970.” 106^th College Art Association (CAA) Conference, Los Angeles, Feb. 21–24.

2017

“Productive Plagiarism: Michelangelo Pistoletto and Vettor Pisani’s Plagio, 1970–1976.” The Center for Italian Modern Art Study Day, “Post-It: Reconsidering the Postmodern in Italian Art and Performance since 1965,” New York City, New York. Feb. 13–14. [Program]

2016

“Anachronic Casts: The Sculpture of Giulio Paolini in the Years of Lead, 1968–1982.” The American Association for Italian Studies (AAIS) Annual Conference, Louisiana State University, Baton Rouge, Louisiana, Apr. 21–23.

“Beyond Somalia Anno Uno: Somali Narrative Film in Postcolonial East Africa.” 104th College Art Association (CAA) Conference, Washington, D.C., Feb. 3–6.

2015

“Figure as Model: The Early Work of Michelangelo Pistoletto.” The American Association for Italian Studies (AAIS) Annual Conference, University of Colorado, Boulder, Mar. 26–28.

2011

“‘Somaliwood,’ Ohio: Somali Cinema as Diasporic Phenomenon.” Fifteenth International Triennial Symposium on African Art, Arts Council of the African Studies Association (ACASA), UCLA, Mar. 23–27.

2008

“Splitting the Present: Gordon Matta-Clark’s Photo-Collages.” Twelfth Annual University of Southern California Department of Art History Graduate Student Symposium, University of Southern California, Los Angeles, California, Mar. 8.

2005

“The Psychological Experience of the World in Perspective: Albertian Theory, Brunelleschian Optics, and the Humanist Body.” First Annual Stanford University Graduate Conference in French and Italian, Stanford, California, May 6–7.

Contact

Contact Dr. Bicktbick@fsu.eduFSU Faculty Profile Learn more about COSTELLAZIONE:COSTELLAZIONE (website)@costell.azione (Instagram)@costell_azione (Twitter)

Contact Dr. Bick
tbick@fsu.edu
FSU Faculty Profile

Learn more about COSTELLAZIONE:
COSTELLAZIONE (website)
@costell.azione (Instagram)
@costell_azione (Twitter)