• Research

    Research Areas

    • Global modern and contemporary art
    • Postwar and contemporary Italian art, Arte Povera
    • Contemporary African and Afro-Diasporic art and cinema
    • Figuration and modernism
    • Contemporary art and race politics in Italy, the work of Afro-Italian artists
    • Art and cultural geopolitics after 1945
    • Art of the 1960s and 1970s

    RESEARCH STATEMENT

    My research fields are global modern and contemporary art, with special interests in post-WWII European (especially Italian) and contemporary African art and cinema (both continental and diasporic), and a focus on social art history and cultural geopolitics. In my research, I situate art historical subjects within their respective social contexts while connecting them to broader global frameworks. My first book, Michelangelo Pistoletto: Figuration and Cultural Politics (Yale University Press, 2025), examines the Italian artist’s work within the politicized cultural contexts of post-WWII Italy, Europe, and the United States against the broader geopolitical horizon for art of the 1960s. My research also includes a second book-length project in development, which brings my areas of research in contemporary Italy and Africa into dialogue with one another. Through my research, I am dedicated to the investigation of modern and contemporary art history as a global field, and to the examination of art and social context on a local and global level.